![]() ![]() ![]() So let's think about 'Finding Nemo' for instance. So, static characters are those that stay the same, whereas Dynamic characters are those that change throughout the piece of literature. And the first are static characters and dynamic characters. So I've got a couple of pairs of words that really work together when it comes to labelling characters. They exist in every story that we read but I want to talk about some ways that we can actually analyze them in order to see what significance they have. (Phillip Lopate, “Writing Personal Essays: On the Necessity of Turning Oneself Into a Character.So we meet literary characters all the time. It means you have achieved sufficient distance to begin to see yourself in the round: a necessary precondition to transcending the ego-or at least writing personal essays that can touch other people.” But rather a potential release from narcissism. ![]() I would further maintain that this process of turning oneself into a character is not self-absorbed navel-gazing. The need thus exists to make oneself into a character, whether the essay uses a first- or third-person narrative voice.The point is to begin to take inventory of yourself so that you can present that self to the reader as a specific, legible character.The art of characterization comes down to establishing a pattern of habits and actions for the person you are writing about and introducing variations into the system. Forster, in ‘Aspects of a Novel,’ drew a famous distinction between ‘flat’ and ‘round’ characters-between those fictional personages seen from the outside who acted with the predictable consistency of caricatures, and those whose complexities or teeming inner lives we come to know. And I use the word character much the same way the fiction writer does. “, the writer needs to build herself into a character.Narrator as a Character in the Personal Essay ![]()
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